November 09, 2006

The election's over: let's think of something mind-un-numbing

The morning's long when you have no meetings to attend, papers to grade, business email to answer. Here's 90 minutes of mine ...

9:00 AM: Illustrative distraction. I recalled that I hadn’t updated d2.bookmark.html, my 12-year-old home screen of personal bookmarks on any browser I run from my own PC, to point to my November ’06 diary page. I did so, worried that Word’s html (and I shudder to think what the admission that I diarize in Word html will do to my reputation as a hip old geek) would screw up all subsequent links, confirmed that the links seem OK, clicked back to my October diary page to be sure, saw the Bruce Sterling “spime” link and didn’t quite recall the definition, started rereading the Wikipedia entry, googled “spime sterling” clicked the first result, a pointer to the spime entry on del.icio.us, and found Sterling’s 2004 SIGGRAPH talk “When Blobjects Rule the Earth”, which I’m about to read on BoingBoing. This all took about 4-5 minutes to do, and slightly longer to annotate, and then I found myself in Sterling company. Excerpts (merely to entice you to the mind-candy romp of the full 4300 word talk):

In my grand vision, there's a history of the relationship of objects and human beings. It goes like this. Up to the present day, during previous history, we humans have had. and made, four different classes of possible objects. These classes of objects are called, in order of their historical appearance, Artifacts, Machines, Products, and Gizmos.

The lines between Artifacts, Machines, Products and Gizmos aren't mechanical. They're historical. The differences between them are found in the material cultures they make possible. The kind of society they produce, and the kind of human being that is necessary to make them and use them.

  • Artifacts are made and used by hunter-gatherers and subsistence farmers.
  • Machines are made and used by customers. in an industrial society.
  • Products are made and used by consumers, in a military-industrial complex.
  • Gizmos are made and used by end-users, in whatever today is -- a "New World Disorder," a "Terrorism-Entertainment Complex," our own brief interregnum.

. . .
A Gizmo, unlike a Machine or a Product, is not efficient. A Gizmo has bizarre, baroque, and even crazy amounts of functionality. This Treo that I'm carrying here, this is a classic Gizmo: It's a cellphone, a web browser, an SMS platform, an MMS platform, a really bad camera, and an abysmal typewriter, plus a notepad, a sketchpad, a calendar, a diary, a clock, a music player, and an education system with its own onboard tutorial that nobody ever reads. Plus I can plug extra, even more complicated stuff into it, if I take a notion. It's not a Machine or a Product, because it's not a stand-alone device. It is a platform, a playground for other developers. It's a dessert topping, and it's a floor wax.

. . .
The next stage is an object that does not exist yet. It needs a noun, so that we can think about it. We can call it a "Spime," which is a neologism for an imaginary object that is still speculative. A Spime also has a kind of person who makes it and uses it, and that kind of person is somebody called a "Wrangler." At the moment, you are end-using Gizmos. My thesis here, my prophesy to you, is that, pretty soon, you will be wrangling Spimes.

The most important thing to know about Spimes is that they are precisely located in space and time. They have histories. They are recorded, tracked, inventoried, and always associated with a story.

Spimes have identities, they are protagonists of a documented process.

They are searchable, like Google. You can think of Spimes as being auto-Googling objects.

10:17 AM: wow. And it all started with an Infocult link. That Bryan, he’s a spime-wranging guy …

June 06, 2006

The "memorial" tree

D2_tree1 As part of the recognition of my transition from "Professor of Psychology" and "Collins Professor of Social Science" to "Emeritus Professor of Psychology," Haverford College has planted a tree along Coursey Road at the edge of the old cherry orchard below the faculty houses on College Circle and at the edge of the new parking lot across from the Whitehead Campus Center. I was delighted that a couple of dozen friends showed up to witness my ceremonial watering of this Chestnut Oak (Quercus prinus).  I spoke for a few minutes, reporting some associations I had on hiking down to the site earlier this morning reflecting on my own engagement over the years with poems and fiction about trees.  I mentioned:

and back to Frost:

They are that that talks of going
But never gets away;
And that talks no less for knowing,
As it grows wiser and older,
That now it means to stay.

May 27, 2006

Keeping the universe, and a turn of the screw

I stayed in the Agdal apartment Thursday and (in a Web-segue I cannot quite recall now) decided to read Henry James' The Turn of the Screw, which I did not recall having done before.  As the governess's psychological state takes shape in complex Jamesian sentences requiring all one's attention, and I was at several points daunted (almost rebuffed) by the degree to which I was compelled to wait for her reconstruction of each scene and gesture. A few chapters in, I googled "goody gosling" to find the 'mot' referred to and noticed how very many Web pages there seemed to be with advice and downloadable text for the perplexed student reader asked to produce an analysis of the novella. I shortly found myself in a University of Chicago page about a fine old prof leading a mixed graduate-undergraduate discussion of the book, his low-tech, well-thumbed, paperback in hand. I was reminded of this vignette of the traditional liberal arts classroom at its best a day later, as I browsed the audio files about teaching with technology awaiting activation at stetsonville.com and heard myself saying (early last November, 20 minutes into the first Skype conversation Gar recorded for podcasting) that we must acknowledge, appreciate, and empower the gifted traditional teachers in our institutions if we are to have any hope of bringing their often-inspiring level of pedagogy to the distance-education future about which we are preaching.

Earlier in the morning, as I planned the last visit in this Morocco trip to our extended family in Zawiya, I had bethought myself of "The Magic Seed," my proposal to my Haverford Provost in April, 1998, for a Toshiba laptop and English-Arabic for Hamid's family. I found that the only Google-able version of this appeared to be a now-defunct USLink copy, and I spent perhaps half an hour updating a local file and dropping it on to the/ddavis/d2 folder at Haverford. On re-reading it was chastening to recall that I had promised to follow this project for a year through an e-mail link I proposed to fund for Hamid, since for a variety of reasons this never happened.  We have exchanged occasional e-mails at the prompting of Muslim holidays and school vacations, and I have managed to visit every year or two and to delight in the growing computer skills and involvement of Ayyub and Yassine. We have not, however, had anything like the regular, casual, consulting/kibitzing interactions I had imagined so vividly eight years ago. In any case, I found myself again yesterday imagining what it would be like to have a real 24/7 DSL connection to the family in Zawiya. I think -- Charlie Brown/football associations notwithstanding -- that this might well now work, with moderately- priced and reliable ADSL available almost everywhere in Morocco, with Hamid's sons apparently committed to producing podcast and/or blog content and to staying in touch with me, and even young Karima eager to frequent the nearby cyber.

The difference between this way of using the Net from home and infrequent visits to the cyber ought to be like that between the old 1980s-vintage Haverford faculty workstations down the hall from our offices and the present state of at-home DSL in which many of us bask. The former allows pre-formed prose to be uploaded to the Net, while the latter allows structured, subtle, richly-associative (Jamesian?) thought to take shape at the keyboard. From the point of view of hands- or voice-on help with installing software, editing content, or supervised Internet use by my young Moroccan friends, the difference could be vast. I think it's time for "Magic Seed 2," and I hope to have a conversation about what that might entail out in Zawiya this weekend.

But why did this juxtapostion of a Jamesian digression with a Zawiya fantasy evoke a memex entry? I've been getting a lot of encouragement in these circum-retirement months for telling/typing my own old-prof story in blog/podcast form. I feel, most days, eager to do this, and I have not lost my fascination with the vast array of diary entries and screen images I have accumulated since I took the Apple II to Zawiya in 1982. I realize, however, that I do (pace Susan) need "data": ethnographically rich examples of how other individuals and groups are actually using these tools to do something more than ripping and chatting. I am, as I said to Gar over lunch two days ago, my own best example of this fully engaged/enmeshed use of the Net, but it will be important to show that I haven't kept this universe alone.

The associations to that phrase from a Frost poem -- which I of course felt compelled to find and link -- is to late-80s student Evan S's follow-up note a couple of days ago appropriating my expressed dismay that folks find me 'sanguine'. If I am not merely sanguine, but some more complex and engaging thing adumbrated and enabled by the poetry I've been reading and recalling since high school, how would my casual readers -- un-ladened with a Jamesian sense of my complexity and for the most part uninterested in being so encumbered as a precondition for browsing a little blog content -- come to know this? Will their experience of whatever practical advice I wish to offer about technology in the classroom or the current state of Moroccan society or the fractal weirdness of a dream of Freud be thereby enhanced? Would they feel moved to build equally subtle portrayals of themselves? Would others then give a damn?

After an hour and a half passed I had dictated Frost's "The Most of It" -- found on a local file and on the Web -- into my classroom voice recorder, doing three or four takes and trying it with and without the noise-canceling microphone. My voice sounds weak and wavering in this medium, and converting DSS to WAV to MP4 seemed an unworthy use of my time.  Wouldn't it be nice to have this linking/annotating happen almost unbidden?

As IT is, one spends an hour or two fiddling with details in order to get back to the moment at which a reflection about the degree to which one ought to display one's ego plumage in one's blog elicited a segue to a poetic chestnut, and a reading of a poem that pops up in a personal screen window from time to time reminds me of impending long reflective days alone at the lake.

Dunya hiya hadi, wa hna mwaliha. (Moroccan darija: "This is the world, and we are its owners.")


On the governess's clever pupils' evocation of "Goody Gosling," see Chapter 13:

They pulled with an art of their own the strings of my invention and my memory; and nothing else perhaps, when I thought of such occasions afterward, gave me so the suspicion of being watched from under cover. It was in any case over my life, my past, and my friends alone that we could take anything like our ease—a state of affairs that led them sometimes without the least pertinence to break out into sociable reminders. I was invited—with no visible connection—to repeat afresh Goody Gosling’s celebrated mot or to confirm the details already supplied as to the cleverness of the vicarage pony.

October 12, 2005

The Size (and Shape) of Thoughts

I've returned to the Lake from the Cities, where I passed a laptopless dawn with Nicholson Baker's The Size of Thoughts. There’s a critique of memexing – and of all writing about one’s life – in “Changes of Mind”: I thought of reading that piece – it seemed for the first time – yesterday morning, suddenly could not recall the title (“changing one’s mind?”), brought up Google Desktop, searched on “the size of thoughts,” and found:

Saturday, Sept. 16, 2000
I intend to try dictating a couple of paragraphs from the first essay in Nicholson Baker's book "The Size of Thoughts."

From "Changes of Mind" (after noting of himself that "I no longer wish to live in an apartment furnished with forklifts and backhoes")

Multiply this example by a thousand, a hundred thousand, unannounced reversals: a mad flux is splashing around the pilings of our personalities.  For a while I tried to make home movies of my opinions in their native element, undisturbed, as they grazed and romped in fields of inquiry, gradually altering in emphasis and coloration, mating, burrowing, and dying, like prairie dogs, but the presence of my camera made their behavior stilted and self-conscious -- which brings us to what I can't help thinking is a relevant point about the passage of time.  Changes of mind should be distinguished from decisions, for decisions seem to reside partly in the present, while changes of mind imply habits of thought, a slow settling-out of truth, a partially felt, dense past.  I may decide, for instance, that when I take off my pants I should not leave them draped over the loudspeakers, as I normally do, but contrive to suspend them on some sort of hook or hanger.  I may decide to ask that person sitting across from me at the table to refrain from ripping out the spongy inside of her dinner roll and working it into small balls between her palms.  We are bound to make lots of such future-directed choices: they are the reason for risk-benefit analysis.  But at the same time, on the outskirts of our attention, hosts of gray-eyed, bright-speared opinions have been rustling, shifting, skirmishing.  "What I think about Piaget" is out there, growing wiser, moodier, more cynical, along with some sort of answer to "What constitutes a virtuous life?"  Unless I am being unusually calculating, I don't decide to befriend someone, and it is the same way with a conviction: I slowly come to enjoy its company, to respect its counsel, to depend on it for reassurance; I find myself ignoring its weaknesses or excesses -- and if the friendship later ands, it is probably owing not to a sudden rift, but to a barnacling-over of nearly insignificant complaints.

Seldom, then, will any single argument change our minds about anything really interesting or important.  In fact, reasoning and argument count for surprisingly little in the alluvial triumph of a thought -- no more than 12 to 15 percent.  Those reasons we do cite are often only a last flourish of bright plumage, a bit of ceremony to commemorate the result of a rabblement of tendencies to cross-purposed to recapitulate.  A haphazard flair of memory; an irrelevant grief; an anecdote in the newspaper; a turn of conversation that stings into motion a tiny doubt: from such incessant percussions the rational soul reorganizes itself -- we change our minds as we change our character.  Years go by and the movement remains unrecognized: "I wasn't aware of it, but my whole feeling about car-pool lanes (or planned communities, or slippery-slope arguments, or rhyme, or Shostakovich, or whether things are getting better or worse) was undergoing a major overhaul back then."  We must not overlook sudden conversions and wrenching insights, but usually we fasten onto these only in hindsight, and exaggerate them for the sake of narrative -- the tool perfected by the great nineteenth-century novelists, who sit their heroines down and have them deduce the intolerability of their situation in one unhappy night, as the fire burns itself into embers in the grate.  (Baker, 1982, 5-7)


October 31, 2004

Google Desktop and the d2_memex




Saturday, October 30, 2004

Saturday, October 30, 2004

7:35 AM: I’ve added the most wonderful memex tool: Google Desktop! It's ten days since I read David Pogue's rave review (and thanks for the nudge, Bryan). I tried AltaVista’s “Discovery” years ago and loved it, but didn’t bother to install it on my last two laptops. This is the way it should work. Your personal files are searchable from the browser with all of Google's tools. Feels like your desktop is part of the Net, and your memex’s presentation frame, your “home” cyberspace, is a window running alongside everything else in your system.

7:57 AM: What I first googled, with the above: freud d2 transference. I'd been thinking about the funeral I was to attend later in the morning, of a friend who had followed and encouraged my Freud speculations for 20 years.

8:05 AM: Suddenly my image of the memex, cherished all these years, jumped closer, or into better focus. You do all your writing and half your communicating on a device that also holds your full dossier: all your draft papers, student papers, photo albums, music libraries, tax returns, claims for reimbursement, tactless emails, crushing put-downs of colleagues, admissions, self-deceptions, empty promises. The works.

So, the laptop (and now it really has to be a laptop – or one of the hybrid tablets) is for now the memex as physically represented. A physical memex in use by its human architect/client creates a memexed entity, a very primitive cyborg, the avatar of an individual at a memex.

1:56 PM: I found myself wondering how clearly Vannevar Bush foresaw this googled world back in 1945, as he discussed indexing tools for the memex.

Bush's (1945) memex-defining paragraph highlights the indexing problem.

Consider a future device for individual use, which is a sort of mechanized private file and library. It needs a name, and, to coin one at random, "memex" will do. A memex is a device in which an individual stores all his books, records, and communications, and which is mechanized so that it may be consulted with exceeding speed and flexibility. It is an enlarged intimate supplement to his memory.

Four paragraphs down Bush gets to indexing the memex:

There is, of course, provision for consultation of the record by the usual scheme of indexing. If the user wishes to consult a certain book, he taps its code on the keyboard, and the title page of the book promptly appears before him, projected onto one of his viewing positions. Frequently-used codes are mnemonic, so that he seldom consults his code book; but when he does, a single tap of a key projects it for his use. Moreover, he has supplemental levers. On deflecting one of these levers to the right he runs through the book before him, each page in turn being projected at a speed which just allows a recognizing glance at each. If he deflects it further to the right, he steps through the book 10 pages at a time; still further at 100 pages at a time. Deflection to the left gives him the same control backwards.

A special button transfers him immediately to the first page of the index. Any given book of his library can thus be called up and consulted with far greater facility than if it were taken from a shelf. As he has several projection positions, he can leave one item in position while he calls up another. He can add marginal notes and comments, taking advantage of one possible type of dry photography, and it could even be arranged so that he can do this by a stylus scheme, such as is now employed in the telautograph seen in railroad waiting rooms, just as though he had the physical page before him.

Bush is at first preoccupied with the mechanics of getting around one's memex. He imagines a mixture of conventional indexes with one’s own evolving code book of mnemonic bookmarks and footnotes to all the stored records. His examples emply simple analogue display devices allowing, e.g., variable speed scanning of video records.

The next section, #7, begins with Bush’s admission that his “projection forward of present-day mechanisms and gadgetry” is conventional except as “it affords an immediate step to associative learning, … the essential feature of the memex.” Bush can picture the memex’s indexing functions at work.

It affords an immediate step, however, to associative indexing, the basic idea of which is a provision whereby any item may be caused at will to select immediately and automatically another. This is the essential feature of the memex. The process of tying two items together is the important thing.

When the user is building a trail, he names it, inserts the name in his code book, and taps it out on his keyboard. Before him are the two items to be joined, projected onto adjacent viewing positions. At the bottom of each there are a number of blank code spaces, and a pointer is set to indicate one of these on each item. The user taps a single key, and the items are permanently joined. In each code space appears the code word. Out of view, but also in the code space, is inserted a set of dots for photocell viewing; and on each item these dots by their positions designate the index number of the other item.

Thereafter, at any time, when one of these items is in view, the other can be instantly recalled merely by tapping a button below the corresponding code space. Moreover, when numerous items have been thus joined together to form a trail, they can be reviewed in turn, rapidly or slowly, by deflecting a lever like that used for turning the pages of a book. It is exactly as though the physical items had been gathered together from widely separated sources and bound together to form a new book. It is more than this, for any item can be joined into numerous trails.

There follows a lovely example (worth imitating at home with Google) of a hobbyist’s interest in the history of the English long bow.

The owner of the memex, let us say, is interested in the origin and properties of the bow and arrow. Specifically he is studying why the short Turkish bow was apparently superior to the English long bow in the skirmishes of the Crusades. He has dozens of possibly pertinent books and articles in his memex. First he runs through an encyclopedia, finds an interesting but sketchy article, leaves it projected. Next, in a history, he finds another pertinent item, and ties the two together. Thus he goes, building a trail of many items. Occasionally he inserts a comment of his own, either linking it into the main trail or joining it by a side trail to a particular item. When it becomes evident that the elastic properties of available materials had a great deal to do with the bow, he branches off on a side trail which takes him through textbooks on elasticity and tables of physical constants. He inserts a page of longhand analysis of his own. Thus he builds a trail of his interest through the maze of materials available to him.

And his trails do not fade. Several years later, his talk with a friend …

At the end, Bush offers suggestions about the good the memex will do us, and notes the stakes.

Presumably man's spirit should be elevated if he can better review his shady past and analyze more completely and objectively his present problems. He has built a civilization so complex that he needs to mechanize his records more fully if he is to push his experiment to its logical conclusion and not merely become bogged down part way there by overtaxing his limited memory. His excursions may be more enjoyable if he can reacquire the privilege of forgetting the manifold things he does not need to have immediately at hand, with some assurance that he can find them again if they prove important.

The applications of science have built man a well-supplied house, and are teaching him to live healthily therein. They have enabled him to throw masses of people against one another with cruel weapons. They may yet allow him truly to encompass the great record and to grow in the wisdom of race experience. He may perish in conflict before he learns to wield that record for his true good. Yet, in the application of science to the needs and desires of man, it would seem to be a singularly unfortunate stage at which to terminate the process, or to lose hope as to the outcome.

 



Bush, Vannevar. (1945). As We May Think. The Atlantic Monthly. (registration required)

Next up: a D2 example or two.


February 29, 2004

Leap day

Sunday, February 29, 2004

7:11 AM: I am so far behind. Yet hope returns with the morning coffee and “paper,” and I put off the draft papers, the memos, the emails, the web-revisions while I read the NYT Op-Ed. John Adams, I learn from Joseph J. Ellis, wrote the Massachusetts constitution, re-phrasing Jefferson:
"All people are born free and equal and have certain natural, essential and unalienable rights; among which may be reckoned the right of enjoying and defending their lives and liberties," Adams wrote. "In fine, that of seeking and obtaining their safety and happiness."
. . .
Are Adams and Jefferson rolling in their graves? This is not just a rhetorical question, since opponents of same-sex marriage are sure to argue that neither man intended his words to be interpreted as a sweeping endorsement of gay rights. While such opponents would be historically correct, their argument would also apply to civil rights for blacks and, at least in terms of Jefferson, to voting rights for women. A literal enforcement of their original intentions, in short, would necessitate rolling back a full century of liberal reforms now broadly regarded as beyond debate.
But the open-ended character of their language on individual rights is a crucial clue to a more relevant version of their original intentions. Both Adams and Jefferson regarded the American Revolution as a long-term experiment to test the limits of personal freedom. Present at the creation, they did not want to place any cap on the potential achievement of the experiment in the future. Jefferson was particularly eloquent in urging each new generation to interpret his famous words anew. Adams was a more cautious revolutionary, emphasizing way stations on the road forward to allow time for popular opinion to catch up with jarring changes. He may well have favored civil unions as a sensible compromise in the current furor.
Most important, the way they framed the question gave great advantage to the side in favor of expanding the scope of individual rights. Notice, for example, that recognizing gay marriage will not require a constitutional amendment, but blocking it will. And the founders made passage of a constitutional amendment very difficult indeed. Our debate over gay rights has just begun, so it would be foolish to predict all the legal and political contortions that lie ahead. If history is a guide, however, everyone who has bet against the expansive legacy has eventually lost.
And this by Nathaniel Frank:
The traditionalists may well be right that a monogamous relationship between two unrelated, consenting adults makes a strong foundation for a stable family, and thus for a vigorous social order. They're just wrong that those two people have to be of different genders.
Oh, and Friedman’s good on outsourcing too:
Indians are so hospitable. I got an ovation the other day from a roomful of Indian 20-year-olds just for reading perfectly the following paragraph: "A bottle of bottled water held 30 little turtles. It didn't matter that each turtle had to rattle a metal ladle in order to get a little bit of noodles, a total turtle delicacy. The problem was that there were many turtle battles for less than oodles of noodles."
I was sitting in on an "accent neutralization" class at the Indian call center 24/7 Customer. The instructor was teaching the would-be Indian call center operators to suppress their native Indian accents and speak with a Canadian one — she teaches British and U.S. accents as well, but these youths will be serving the Canadian market. Since I'm originally from Minnesota, near Canada, and still speak like someone out of the movie "Fargo," I gave these young Indians an authentic rendition of "30 Little Turtles," which is designed to teach them the proper Canadian pronunciations. Hence the rousing applause.
7:52 AM: And then there’s the morning spam: 42 that got through the spam filter to my in-box, and 43 filtered, apparently (and atypically) all of them correctly.
12:27 PM: The 4 College kitchen: Espresso brewing: Plan for my three courses, before I get to the student drafts. An additional essay topic for Psych 105g:
Pick a passage from Carol Gilligan’s In a Different Voice that especially moves or interests you. Explain quickly how it relates to an important theme in Freud (S or A) or Erikson. How does Gilligan clarify what’s at issue, change our thinking about an aspect of “psychosexual development,” or reshape an aspect of Freud or Erikson? 600 words.
12:59 PM: I was moved to speak at HMM today about my response to Ellis and Frank, my realization that the founding fathers wouldn’t have approved (or thought of, in most case) the application of their “all men” to Blacks, women, or gays, my conviction that “marriage” must be term of choice for couples, and my joy in being part of our gay-friendly community. ‘Twas a busy time thereafter, and most seemed moved.
1:16 PM: Now, then. Those papers…

February 15, 2004

New Year's at the lake

Tuesday, January 06, 2004
6:19 AM: There is a full moon setting over Jacobsen’s point.

Kurt's movies: I saw “Hard Times,” after watching 15 minutes of “Road to Perdition” and deciding S would like it.

I need to document my reading of "Pattern Recognition” – bought on “Bryan's report and downloaded to the Palm.

8:11 AM: The near-future in cyberspace, up close and personal: some of it is surely guessable:

  • highly-configurable visual/audible/tactile equipment for interactive RPGs, programmed adventures, and chat
  • bizaarely-complex obsessive/addictive relationships between persons and systems and among associates in CMC
  • ubiquitous virtual worlds of sound and image, as real as childhood
  • sharp divergences of social class, custom, and character, as a few individuals surrounded with clouds of Net access become educated and skilled in ways most of us won’t understand

    12:39 PM: What a tech support day...
    Now, with Beethoven and coffee and a small fire in the fireplace and the snowy yard …
    I’ve missed you, old Ludwig van: the dancing mice in Op 131, 5 “Presto.” 6 “Adagio quasi un poco andante.”

    Midwinter spring is its own season
    Sempiternal though sodden towards sundown,
    Suspended in time, between pole and tropic.
    When the short day is brightest, with frost and fire,
    The brief sun flames the ice, on pond and ditches,
    In windless cold that is the heart's heat,
    Reflecting in a watery mirror
    A glare that is blindness in the early afternoon.
    "Little Gidding"
    and back to you, John Berryman.


  • December 16, 2003

    Radio Theater

    Monday, December 08, 2003
    7:21 PM: Having referred to "A Prairie Home Companion" at some length in class today, I’m looking for a Garrison Keillor homily to send the seminar. I searched \d2 for "Keillor" mentions. There were lots, as my fascination with this man's work started with a Lake Calhoun bandstand performance in the '70s.
    Memex-building. I found my way from the \d2 search to my 1985 diary, now linked to my home bookmarks page.
    8:22 PM: Let’s memex PHC, November 23, 1985 (with its predecessor the oldest show included, and the only one from the 1980s), and share it with P311. PHC were at the Claremont Colleges that November, and Willie Nelson was a visitor. He sounds tinny, singing “Hello, Walls” amidst Keillor’s opening “Hello, Love.?
    9:01 PM: This is a fabulous show! It has the “Sometimes I wonder if I made it up” leitmotiv, the wonderful satire of Minnesota family holiday dinner discourse, and the post-Thanksgiving stomach sickness, the tomato juice, the turkey ala king, the Pepto Bismol maneuver, all leading to Senator Kay Torvaldson's Thanksgiving introduction of his lady love.
    And finally, it’s Keillor’s love this has all been about, for the Danish exchange student.

    “I hope she’s not a story I made up. ...
    .. and I was going for the Psalms, friend; honest I was; but I found the Song of Solomon."

    And from 12 June, 1987, after the “Last Show”:

    8:07 AM: Ronnie calling to Gorbie to join him at, "tear down," the Berlin Wall. What a self-serving issue to throw at the Soviets -- and how marvelous if they took it up.
    8:60 AM: Re last Saturday's Prairie Home Companion: People remembered things Keillor denied he'd done/said. So the show has taken on, for the time being, an existence of its own just as Keillor always knew it would. I'm sure we haven't seen the last of Gary Keillor.
    Keillor's adolescent free verse, played as part of the MPR retrospective: that's an imago he re-entered through the program.

    Keillor’s monologue in this November 23, 1985, show (how young some of us were then!) will be the subject of my next memex entry. The "It's been a quiet week in Lake Woebogone" monologue starts at 1:06:45.

    November 01, 2003

    The October wind...

    has given way to a quiet sunny Saturday morning on College Lane. I do hear Dylan Thomas's wind every year about this time, though.

    Especially when the October wind
    (Some let me make you of autumnal spells,
    The spider-tongued, and the loud hill of Wales)
    With fists of turnips punishes the land,
    Some let me make you of the heartless words.
    The heart is drained that, spelling in the scurry
    Of chemic blood, warned of the coming fury.
    By the sea's side hear the dark-vowelled birds.
    Dylan Thomas, "Especially when the October wind"
    Thanks for this, read aloud to the dozen young Minnesotans that 1964 autumn, JB. Fall has been grievy, as well as brisk, in the past. This year, today, it's looking like a long quiet stretch of hours, time to catch up on my memex, and maybe to do some P311 planning, senior thesis nudging, Al-Mush listserv enabling -- all before heading out to a dinner party Chez Bob. Who knows, maybe I'll even sit outdoors by the Japanese maple. I'm working on a College loaner Inspiron 4150, since I'm in the midst of a I3800 crash. Looks like time to choose another PC. bk thinks it should be a PowerBook.
    A busy, full month ahead.
    Pages consulted:
  • Infocult: Flashgothic: The Devil's Tramping Ground
  • New Yorker covers: love, religion
  • The Art World: The Junkman's son, by Peter Schjeldahl. The New Yorker, November 2, 2003.
  • Making Sense of Modern Art: Philip Guston. SFMOMA.
  • The Work of Art in the Age of Mechanical Reproduction. Walter Benjamin (1935).
  • Norbert Weiner

  • October 26, 2003

    We'll always have Paris

    Back from a week in Paris! The ambiance, the food, the transportation, all fine. The cyber 'round the block: not good enough. I was seriously web-lagged on return. How can I be expected to have new experiences if I don't get to archive them here?

    I found myself wishing I were in the discussions of faith and culture and politics, and I found myself practicing arguments from the reading I'm doing in political Islam.

    Bryan's doing a fine job keeping me intrigued by the MetaCortex saga. Looks like Aquapolis was the first "matrix" city: you didn't actually go there, you just suited up and felt like you were there, seeing/hearing/feeling, doing, those things.

    Now, though, I need to get back to my class notes, and my student projects.

    I wondered again yesterday, as I saw these diary entries taking shape, where this project is headed. If this story -- this semi-autobiographical memoir in the form of the complexly structured blog, intertwingled with many personal web pages -- is to be comprehensible by anyone else I need some rhetorical voice within the text as I move from author to administrator, say, of my memex.
    Is that Doug, d2, the dragon ... ?

    Could the reader be dropped into a day of average complexity and discover gradually how tangled the second or third level links out from each mundane annotation become? Yes, if I were James Joyce, or even Nicholson Baker. Unless we assume the novelist's gift it's not clear that most personal narratives are interesting to other people, except these people have a personal interest in the author.

    BTW, this Paris visit at 60 for NITLE echoed that at 55 for Spring Break, as we hiked and Metroed and dined. Then there's 1968, after "Les Evenements"; and 1966 alone; and the way it seemed in novels and films. There were Piaf posters everywhere, and the IMA is showing "De Delacroix à Renoir: l’Algérie des peintres," and we passed "La Pérouse" in the rainy taxi drive along the Quai des Grands Augustins, on our way to dinner in the 16th...